Inspired by Le Corbusier

Table LC6 + 6 Series 7 Chairs

Inspired by Le Corbusier

Table LC6 + 6 Series 7 Chairs

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Availability: In stock

Regular Price: £3,745.84

Special Price £1,872.92


100% Made in Italy. Mat black elliptical steel tube base equipped with four adjustable supports. Glass top thickness 15mm.

100% Made in Italy. Stacking chair with chromed steel tube frame. Shell in curved plywood with natural beech wood.
These tables are both part of the project “Équipement intérieur d’une habitation”, on exhibition at the “Salone d’Automne des Artistes Décorateurs” in Paris in 1929. The lines are simple and severe, a source of inspiration for many tables even today. The materials absolutely industrial: steel and glass. The tubular ellipse that forms the base of the table on the left was used by the aeronautical industry at that time. Beyond the beauty of its form, it was probably used also because it represented the symbol of the modern era: the airplane. The table, however, was not introduced in the market: the “ tube d’avion” was not easy to find, and the table itself required a great amount of careful soldering and polishing. But above all the line was considered too futuristic at that time. Left: matt black lacquered elliptical steel tube base, equipped with four adjustable supports. Glass top. This stacking chair is part of the “Series 7” (1955). “Finally a chair by Jacobsen with four legs and optional arms”, the critics commented, making reference to another Jacobsen’s commercial success, the “Ant Chair,” which had only three legs and no arms. This model, which is also known as the “butterfly chair” for its soft and graceful lines, added a great deal to the modernization of Scandinavian furnishings. This represents a classic example of Jacobsen’s research of forms and materials: a simple structure in tubular steel and a single shell in bent plywood. It is a theme many looked into, especially during those particular years: Eames and Saarinen are two examples. This is considered one of the most successful chairs in the history of design. It is estimated that more than five million copies were made of it, and its success shows no signs of decreasing. Stacking chair with polished chrome tubular steel frame. Shell in bent beech natural wood.

Additional Info

Inspired by Le Corbusier
Structure Schema CK45


  • CHROMAGE TOP: chromage manuel à haut épaisseur et brossage metal
Le Corbusier

Le Corbusier

Le Corbusier


Architecture is about art, a phenomenon that provokes emotion, that goes beyond the problems related to construction, far beyond them. Construction holds things up: architecture touches people’s emotions.

Swiss born, Charles-Édouard Jeanneret-Gris spent his youth travelling through Europe, coming in contact, among other things, with the Sezession environment in Vienna and with Gropius and Mies van der Rohe in Berlin. In his early thirties, he opened his legendary architecture studio in Paris. In addition to becoming immensely famous as an architect, Le Corbusier was also an urban planner, painter, sculptor and writer. His collaborations with his cousin Pierre Jeanneret and Charlotte Perriand were decisive.

Together, they presented a revolutionary one-room studio- apartment at the Salon d’Automne in Paris in 1929, with furniture pieces which embodied the modernist spirit. They were conceived as instruments suitable for furnishing spaces built for the modern man; this explains why Le Corbusier loved to speak of “équipement “. These furnishings had to be useful, an expression of their function. This is the new value proposed by the coupling of form and function: the object, stripped of its ornaments, recovers its implacable and intimate sense of beauty, expressing its very nature in the harmony of its new form, simple and essential. The public’s reaction was predictably hostile. But as fate would have it, the legend was round the corner.